{"id":19408,"date":"2025-03-29T00:00:00","date_gmt":"2025-03-29T05:00:00","guid":{"rendered":"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408"},"modified":"2026-01-14T09:58:55","modified_gmt":"2026-01-14T14:58:55","slug":"terror-a-la-colombiana","status":"publish","type":"post","link":"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408","title":{"rendered":"Terror a la colombiana"},"content":{"rendered":"\n

Terror a la colombiana<\/h2>\n\n\n\n

29 Marzo, 2025<\/em><\/p>\n\n\n\n

Por: Manuela Cata\u00f1o Cata\u00f1o<\/em><\/strong><\/a><\/p>\n\n\n\n

El cine de terror colombiano<\/strong> ha recorrido un camino lleno de desaf\u00edos y oportunidades, desde sus primeros intentos en el siglo XX hasta su consolidaci\u00f3n en la actualidad. A pesar de haber sido un g\u00e9nero marginado en la industria nacional, su evoluci\u00f3n ha demostrado la creatividad de los cineastas colombianos para contar historias que exploran lo macabro, lo sobrenatural y los miedos m\u00e1s profundos de la sociedad.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

Los inicios\u2026<\/strong><\/p>\n\n\n\n

El cine colombiano<\/strong> se introdujo en el g\u00e9nero de terror de manera t\u00edmida, con producciones influenciadas por el cine extranjero. Durante gran parte del siglo XX, el terror <\/strong>fue un g\u00e9nero inexistente en la cinematograf\u00eda nacional, debido a las dificultades de financiaci\u00f3n y a la preferencia del p\u00fablico por el drama y el cine social.<\/p>\n\n\n\n

Uno de los primeros intentos del g\u00e9nero fue \u201cPura sangre\u201d<\/a> (1982) de Luis Ospina, una pel\u00edcula que mezclaba el thriller con elementos del horror y que estableci\u00f3 un precedente en la exploraci\u00f3n de las narrativas m\u00e1s oscuras dentro del cine nacional. Sin embargo, el terror sigui\u00f3 siendo una rareza en la producci\u00f3n nacional durante varias d\u00e9cadas.<\/p>\n\n\n\n

Desde los a\u00f1os 90 hasta principios del siglo XXI, se experiment\u00f3 un resurgimiento del g\u00e9nero gracias a incentivos gubernamentales como la Ley del Cine de 2003<\/a><\/strong>. Esto permiti\u00f3 que cineastas se aventuraran en g\u00e9neros menos explorados, incluyendo el terror. Con el tiempo, el inter\u00e9s por este tipo de historias creci\u00f3 y comenzaron a surgir propuestas muchas m\u00e1s arriesgadas y originales.<\/p>\n\n\n\n

Pel\u00edculas como \u201cAl final del espectro\u201d<\/a> (2006) de Juan Felipe Orozco y \u201cEl p\u00e1ramo\u201d<\/a> (2011) de Jaime Osorio M\u00e1rquez, demostraron que el cine de terror colombiano pod\u00eda competir con propuestas internacionales. Estas pel\u00edculas jugaron con el suspenso psicol\u00f3gico, la violencia y el horror sobrenatural, logrando captar la atenci\u00f3n de la audiencia y la cr\u00edtica.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

Variedad<\/strong><\/p>\n<\/div>\n\n\n\n

\n

En los \u00faltimos a\u00f1os, el cine de terror colombiano<\/strong> ha encontrado una mayor aceptaci\u00f3n, en parte gracias a festivales especializados como Fantasmagor\u00eda, (<\/strong>Ver: <\/strong>http:\/\/festivalfantasmagoriamedellin.com<\/a>) <\/strong>de Medell\u00edn. Estos eventos han servido como plataformas de exhibici\u00f3n y promoci\u00f3n para nuevas producciones de horror <\/strong>y fantas\u00eda<\/strong>, permitiendo que cineastas emergentes exploren tem\u00e1ticas diversas dentro del g\u00e9nero.<\/p>\n\n\n\n

El auge de plataformas de<\/strong> streaming<\/em> <\/strong>tambi\u00e9n ha sido clave en la difusi\u00f3n del cine de terror colombiano, permitiendo que pel\u00edculas como \u201cLlanto maldito\u201d<\/a> (2021), de Andr\u00e9s Beltr\u00e1n, lleguen a audiencias m\u00e1s amplias y demuestren que el g\u00e9nero tiene un lugar en la industria nacional.<\/p>\n\n\n\n

Hoy en d\u00eda, el cine de terror colombiano<\/strong> se encuentra en una etapa de experimentaci\u00f3n y crecimiento. Directores j\u00f3venes est\u00e1n innovando en narrativas y est\u00e9ticas, buscando diferenciarse del cine de terror tradicional y construir una identidad propia para el g\u00e9nero en el pa\u00eds.<\/p>\n\n\n\n

Tarea compleja, pero donde sin duda no se puede negar que inspiraci\u00f3n para contar historias de este tipo no hace falta, pues la realidad a veces es m\u00e1s terror\u00edfica que la ficci\u00f3n\u2026<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

\u00a0LUIS OSPINA<\/strong><\/p>\n\n\n\n

Cali, 1949-2019\u00a0<\/p>\n\n\n\n

\u201cPura Sangre\u201d<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

\u00a0JUAN FELIPE OROZCO<\/strong><\/p>\n\n\n\n

Medell\u00edn, 1978<\/p>\n\n\n\n

\u201cAl final del espectro\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

\u00a0JAIME OSORIO<\/strong><\/p>\n\n\n\n

Colombia, 1975-2021<\/p>\n\n\n\n

\u201cEl P\u00e1ramo\u201d<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

\u00a0ANDR\u00c9S BELTR\u00c1N<\/strong><\/p>\n\n\n\n

Cali, 1986<\/p>\n\n\n\n

\u201cLlanto maldito\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

El miedo en la pantalla grande ha sido protagonista en el cine nacional.<\/p>\n","protected":false},"author":4,"featured_media":19556,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1431,751,1368],"tags":[438,246,175,321],"class_list":["post-19408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine-2","category-cultura","category-especiales","tag-cine","tag-cultura","tag-medellin","tag-periodismo-universitario"],"yoast_head":"\nTerror a la colombiana - Sextante Digital<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Terror a la colombiana - Sextante Digital\" \/>\n<meta property=\"og:description\" content=\"El miedo en la pantalla grande ha sido protagonista en el cine nacional.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\" \/>\n<meta property=\"og:site_name\" content=\"Sextante Digital\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-29T05:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-14T14:58:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/wp-content\/uploads\/2025\/03\/cine-de-terror-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"610\" \/>\n\t<meta property=\"og:image:height\" content=\"420\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"p.sextante\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"p.sextante\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408#article\",\"isPartOf\":{\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\"},\"author\":{\"name\":\"p.sextante\",\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/#\/schema\/person\/5e85d03ab615e04ad1faf39d51f037a1\"},\"headline\":\"Terror a la colombiana\",\"datePublished\":\"2025-03-29T05:00:00+00:00\",\"dateModified\":\"2026-01-14T14:58:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\"},\"wordCount\":570,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/#organization\"},\"image\":{\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408#primaryimage\"},\"thumbnailUrl\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/wp-content\/uploads\/2025\/03\/cine-de-terror-2.jpg\",\"keywords\":[\"Cine\",\"Cultura\",\"Medell\u00edn\",\"Periodismo Universitario\"],\"articleSection\":[\"Cine\",\"Cultura\",\"Especiales\"],\"inLanguage\":\"es-CO\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\",\"url\":\"https:\/\/sextante.ucatolicaluisamigo.edu.co\/?p=19408\",\"name\":\"Terror a la colombiana - 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